It happens in Royal weddings, some
formal church weddings, and every wedding on
#MAFS, and I hate it!
The sight of a bridegroom standing at the altar
with his back to the guests while waiting for his
bride to join him is a throwback to a time when he
likely had never met the bride, or even seen her
before gets me in the feels (negatively).
Historically, it was all about two things one of
which has no relevance in a secular, humanist, or
celebrant wedding (religious practice), and the
other (making sure he didn't catch a glimpse of
her was insurance against him legging it) no
relevance to any legal marriage ceremony!
It's tradition - but
whose?
The customs surrounding weddings (as opposed
to the legal act of getting married which can
happen as part of a wedding ceremony, or separate
to it), are as varied and rich as the cultures
from which they originate.
What we think of as the "traditional" wedding is
the way weddings have evolved in Western,
Christian, traditional. What I find fascinating is
that older ways of "doing a wedding" co-exist with
more modern practices, and yet "traditional" is
applied across the board, often without
differentiation!
One such tradition is the practice of the groom
standing with his back to the bride as she makes
her entrance, only turning to look at her when she
is standing next to him, or, in a slightly more
modern twist, when he is given permission by the
clergyperson (or celebrant in the #MAFS
ceremonies) to turn to look at her.
If you ask "Why?" - and most people don't, you'll
likely to be told something like
It's a moment
filled with anticipation, not just for the groom
but for everyone present . Which
conveniently ignores the fact that
- In western culture turning your back on
anyone is regarded to be rude
- It robs the bride of the nerve-settling view
of the groom's face as she walks towards him
- It robs the groom of the sight of his bride
in all her finery, plus the intimate moment
when they lock eyes
- It robs the guests of the experience of
feeling part of the moment, rather than being
on the outside looking in.
In church, the couple either continue to standing
with their backs to the guests during the
ceremony, or turn to face one another. 1 and 4
above if they stand with their backs to the
guests.
The religious
tradition
Traditionally, especially within many
Christian denominations, the groom stands at the
altar with his back to the assembled guests,
awaiting his bride. While some may claim
that, historically, this posture was symbolic,
representing the groom's role as the intermediary
between the community (the guests) and the divine
(the ceremony at the altar), there is no written
evidence of this.
Rather, the explanation is simpler. Everyone faced
the altar, a practice rooted deeply in the idea of
reverence.
With the exception of the
priest, who faced the congregation as an anointed
representative of the church
The darker history
In days gone by marriage
wasn't about love. It was about strategic
alliances in which the couple may have had no say
at all. So everything was done to keep the couple
apart. And that included the groom not seeing the
bride until she was right next to him (with her
father at her side), making it difficult for the
groom to leg it by nipping out of the side door of
the church, something he could do if the bride was
only part way down the aisle.
For the bride, there was no choice. The minute she
stepped foot inside the church she was deemed to
have consented to the marriage, and to everything
that came after the wedding, for the rest of her
life. The groom, on the other hand, still needed
to say the right words as part of the ceremony.
The tradition of not seeing one another the night
before the wedding is a holdover superstition from
those times.
Can we blame the
silver screen?
The cinematic portrayal
of both fictional and reality show weddings, with
the groom's back turned until the grand reveal, is
used as a powerful storytelling tool to create a
visual crescendo that ignores its religious
origins in order to symbolise the transformative
essence of marriage. But it begs the question:
does this portrayal, used regardless of whether
the wedding is held in a garden or a church,
regardless of whether the officiant is a
clergyperson, a professional celebrant, a judge, a
celebrity, or dear old Uncle Bob, still resonate
in a society that values inclusivity and equality?
Facing the Guests: A
Modern Twist
In contrast, in a modern
civil ceremony, the groom faces the guests and
watches the bride walk down the aisle towards him.
This shift reflects a broader cultural move
towards more personal, intimate weddings where the
emphasis is on the couple's connection and shared
experience with their guests. Facing the guests
allows for a more inclusive atmosphere, making the
guests feel more like active participants than
mere observers.
When couples face one another, the celebrant is
likely to step into the position of the priest who
was the focus of the ceremony as intermediary
between the congregation and the divine, something
not relevant in a secular ceremony. Facing one
another, however, is promoted as emphasising the
personal commitment the couple is making,
highlighting the emotional and personal aspects of
the ceremony over the traditional or the
religious.
I argue, however, that standing side by side,
holding hands, shoulder to shoulder, is an
intensely intimate position for the couple that
also embraces the guests. With the celebrant
standing to one side, we are all drawn into a
circle of love, of community. When the couple then
turns to face one another for their vows, this
powerful sense of community is not lost. The
circle isn't broken. We embrace them as they
commit their lives to one another.
Pros and Cons
Each of these positions
carries its own set of advantages and
disadvantages.
While the groom standing with his back to the
guests and to his bride as she walks down the
aisle might work in a church, it can feel odd in a
garden or other venue. It is also highly gendered
and therefore a heteronormative choice. If you are
a same sex couple you'll want to rethink the whole
notion.
The traditional stance, with the couple's back to
the guests, does lend a certain gravitas to the
ceremony, emphasising the solemnity and the
traditional aspect of marriage. Or so those in
favour, claim. However, it can also seem somewhat
exclusive, leaving guests feeling more like
observers than participants in the special moment.
Choosing an alternative for walking down the aisle
- perhaps two separate processions, one each, or
walking in together, is an inclusive choice.
Facing the guests or each other is a
gender-neutral option that makes for a more
inclusive and personal experience, potentially
fostering a stronger connection between the couple
and their guests.
These positions, particularly where the couple
faces the guests except during their vows, makes
the ceremony feel less formal.
It's about choice
How you choose to
position yourselves during your wedding ceremony
reflects your personal beliefs, values, and the
tone you wish to set for their ceremony. Whether
rooted in tradition or looking towards a more
inclusive modern practice, consider the options,
discuss where your celebrant will stand, and don't
be afraid to look at your guests and at one
another!